Welcome back to the regularly scheduled Weekly Pull List, where I give you the run down of what I'm reading every week. Because clearly you should be taking your cues on what comics to read from me, right? I've already covered Amazing Spider-Man #550 and New Avengers #38 yesterday, and today I'll be reviewing
Green Lantern Corps #21, Marvel Comics Presents #6, Nova Annual #1, Wolverine #62, and X-Force #1. Excluded are Black Panther #34, Fantastic Four #554, and X-Factor #28, none of which Marvel Direct could get to me on time.
GREEN LANTERN CORPS #21This issue is part one of a two issue fill-in, starring the (formerly hot and now unfortunately) Alpha Lantern Boodikka. The formerly hot-headed warrior is now emotionless and exacting in her duty to police the GLC, as is evidenced by her reprimanding of even her fellow Lost Lanterns, with whom she shares a rather painful bond. A special mission given to her by the Guardians, though, take her back to her home planet to reign in a delinquent GL trainee that turns out to be her sister, and we get the promise of a real cat-fight between them next issue.
I really liked this one. This is the type of storytelling that keeps me coming back every month to GL and GLC. We get expanded history on a prominent Lantern and see the effect becoming an Alpha Lantern has on a woman that was known for her fire and passion. Sterling Gates really delivers in what could easily be a shoddy throw-away fill-in, and Nelson's art more than keeps up with this fun story. This kind of quality, even on fill-in, is why the GL corner of the DCU is the best thing DC has going. If you're not reading this book, correct this mistake right now.
MARVEL COMICS PRESENTS #6The New Guardian is still crazy and still a glorified labrat up in Canuckistan, while USAgent enlists help to find out what's really going on. Ka-Zar makes like Obama (uniter!) for the inhabitants of the Savage Land, but their hope seems to run out (HAH!) in the face of Roxxon's well thought out assault. Vanguard reveals stuff, but there's little sign of the actual Vanguard and a whole lot of "yeah, buh?" And finally, a flashback to the heady days of WWII shows how Cap inspired even those who have the desire to serve but are never called.
Reviewing MCP is always hard because it's an anthology of three serials and a one shot story. The chances of the book standing out when taken as a whole are pretty low. The Guardian story moves forward a bit and is helped by a brief Iron Man cameo. The Cap story was a bit of (well written) fluff. The Ka-Zar and Shanna story is actually the most interesting thing in the book, though the art is weird in some places. I call this a draw, if for nothing else than the fact that Vanguard is suffering from Guggenheim's tendency to drag in the first half of his stories.
NOVA ANNUAL #1For not having a lot of actual progression (in terms of the overall series storyline), this Annual really delivers. This is actually saying a lot, since it's essentially a jumping on point/refresher course on who Richard Rider is. More importantly, it's a study in why he is Nova Prime, the vanguard and torch-bearer for the (again) near extinct Nova Corps. He's a normal guy, average in every way, but he's managed to become probably the biggest hero in the galaxy. The entire issue is a struggle for his soul, literally, as his transmode virus infection tries to take him over and, failing that, take him out. In the end we see him emerge victorious, if only for a moment, and we're reminded why he's a hero, and why he's going to matter and make a difference in the end of the Conquest that's raging back in the closed off Kree galaxy.
DnA redeem themselves a bit from last week's ho-hum issue of Conquest and prove they
get Richard Rider, probably better than even the people who created him ever did. This understanding translates as well into the main title as it does here. The art of Klebs, Asrar, and Alves is great here, and even with their distinct styles, it manages to feel cohesive. All cylinders were hitting, and it just barely lets the Annual edge out GLC as my book of the week.
WOLVERINE #62Wolverine has one mission: kill Mystique, whose crime (this time) is betraying the X-Men and almost getting them killed. No problem for the man who is the best at what he does (shanking people with those claws). Except that Mystique isn't going quietly, and she's got that fun little shapeshifting power going for her, and she's
hiding out in Iran and Iraq. Cue a long (days long) chase, during which a mosque gets blown to hell and "Wolverine" stabs an innocent girl to death, all the while Wolverine reflects on first meetinng the slippery mutant some 80 years prior.
This was a really good issue. The setup, the chase, the fake-out, it was all good. Jason Aaron builds the story well, and he mines the long past of Logan to flesh this story out well. Ron Garney delivers some solid pencils as well. Jason Aaron continues to impress me, and I'm confident this four part story will be just as good as I've come to expect of him.
X-FORCE #1X-Force is back, but it's not
that X-Force, it's the one from Messiah Complex that Cyclops sent after Cable. This time, he's got another mission for them: eliminate the Purifiers before they can attack mutants again. Only problem is that Wolverine isn't okay with other people becoming him, especially not his wayward clone, X-23. What follows is a look at what should've happened long ago: mutants getting pro-active with people who want to attack them. It all comes to a head in an intense and almost gruesome fight sequence where the heroes aren't pulling any punches (or blades, in this case).
This is good, and I expected no less from Kyle and Yost, who did a great job on New X-Men, post House of M. They choreograph and coordinate the issue well enough, but the actual strength here is in how they position Wolverine as a moral compass, a voice of reason even, trying to prevent others from turning into him. What does it say about him that he argues and warns, but in the end lets X-23, Warpath, and Wolfsbane on the team anyway? There's a lot that's going to be said about Wolverine's leadership and judgment as a result of this series, I think. Clayton Crain does a fantastic job on art, and his dark style really complements what will be a very dark book.